Roulette Of The Cradle Ingrid Laubrock
Roulette of the Cradle, an album by Ingrid Laubrock's Anti-House on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Ingrid Laubrock Anti–House — Roulette of the Cradle ° Dynamics ebb and flow from track to track and often within a single piece. Group improvisation sits on equal footing with composition. Many of the pieces find the players working in pairs and trios, one entering gently while others provide background color. Check out Roulette of the Cradle by Ingrid Laubrock's Anti-House on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.com.
| Roulette of the Cradle | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 2015 | |||
| Recorded | December 5, 2014 | |||
| Studio | System Two, Brooklyn | |||
| Genre | Jazz | |||
| Length | 50:29 | |||
| Label | Intakt | |||
| Producer | Ingrid Laubrock | |||
| Ingrid Laubrock chronology | ||||
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Ingrid Laubrock Anti-House: Roulette of the Cradle by Stefano Merighi, published on July 9, 2015. Find thousands reviews at All About Jazz!
Roulette of the Cradle is an album by German jazz saxophonist Ingrid Laubrock, which was recorded in 2014 and released on the Swiss Intakt label. It was the third recording by her Anti-House quintet, the first band that she formed on her relocation to New York with guitarist Mary Halvorson, pianist Kris Davis, bassist John Hébert and drummer Tom Rainey. They are joined by clarinetist Oscar Noriega on two tracks.[1]
- Ingrid Laubrock calls the shots, always with an ear to the particular expressive potential and sounds of the individual musicians. Through her growing experience as a player this happens with increasing aplomb, which also accounts for the forward leap when compared to the previous recordings with the band – Anti-House (2010) and Anti- House.
- Ingrid Laubrock Anti-House: Roulette of the Cradle by John Sharpe, published on July 31, 2015. Find thousands reviews at All About Jazz!
Reception[edit]
The All About Jazz review by John Sharpe states 'Each cut abounds with abrupt switches in mood and tone delivered with such aplomb and invention that rather than seeming forced, the changes take on an aura of inevitability. Such richness means that there is delight to be found in close attention to the detail and each encounter reveals more of the underpinning without completely explaining the magic.'[2]
Track listing[edit]
- All compositions by Ingrid Laubrock
- 'That's All She Wrote' – 2:43
- 'Roulette of the Cradle' – 10:19
- 'Face the Piper, Part 1' – 3:57
- 'Face the Piper, Part 2' – 5:06
- 'Silence.. (for Monika)' – 3:40
- '..and Light (for Izumi)' – 8:02
- 'From Farm Girl to Fabulous, Vol. II' – 8:44
- 'Red Hook' – 7:51
Personnel[edit]
- Ingrid Laubrock – tenor sax, soprano sax
- Mary Halvorson – guitar
- Kris Davis – piano
- John Hébert – bass
- Tom Rainey – drums
- Oscar Noriega – clarinet on 5 & 6
References[edit]
- ^Roulette of the Cradle at Intakt Records
- ^Sharpe, John. Roulette of the Cradle review at All About Jazz
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b.1970
saxophone
'>Ingrid Laubrock's Anti-house is an established working band is borne out by the degree of trust the German saxophonist places in her world class cast of collaborators. But even though she doesn't put in an appearance until part way through the second track, her imprint is all over the outfit's third release, which builds confidently on the success of its predecessors; the first outing of the same name (Intakt, 2010) and Strong Place (Intakt, 2013). Laubrock has confirmed herself as a significant presence on the NYC scene, through both sidewoman dates, of which her tenure with b.1945
woodwind
Laubrock favors an opaque compositional style whereby the framework isn't apparent but the sense of organization nonetheless is. That's well illustrated by the title cut in which rhythm, notated material and improvisational space zips around the band like a Ritalin fuelled game of pass the parcel. Laubrock often pitches one part of the group against another as in the nervy 'Face the Piper, Part 2' where a feature for guitar
b.1957
drums
bass
piano
clarinet
As must be obvious from even those short descriptions, a blowing vehicle this ain't. 'That's All She Wrote' is just the most stark example of this trait, as Rainey's introductory heart beat tattoo gives way to first spidery then raucous guitar, which is finally accompanied by Davis' crashing piano clusters. Such design and partitioning serves to emphasize the orchestral approach Laubrock takes to the resources at her disposal. She similarly deploys Noriega in an artfully precise manner, as he briefly intertwines with her tenor saxophone on ..' and Light (for Izumi)' before spiraling interplay with Halvorson's insistent tremolo.
Any solos tend to be concise and fully integrated into the fabric of the music. Davis' most expansive work can be heard on the involved title track, introduced by her minimalist plink plonk, before she adds dashing runs and hyperactive lines which slip in and out of unison with Halvorson's guitar. Laubrock is at her most expressive on the edgy 'From Farm Girl to Fabulous, Vol. II' where a rocky guitar driven passage prompts her into gritty tenor saxophone skronk. Each cut abounds with abrupt switches in mood and tone delivered with such aplomb and invention that rather than seeming forced, the changes take on an aura of inevitability. Such richness means that there is delight to be found in close attention to the detail and each encounter reveals more of the underpinning without completely explaining the magic.
Track Listing: Thats's All She Wrote; Roulette of the Cradle; Face the Piper, Part1; Face the Piper, Part 2; Silence.. (for Monika); ..and Light (for Izumi); From Farm Girl to Fabulous, Vol.II; Red Hook.
Personnel: Ingrid Laubrock: sassofono (tenore e soprano); Mary Halvorson: chitarra; Kris Davis: pianoforte; John Hébert: contrabbasso; Tom Rainey: batteria; Oscar Noriega: clarinetto.
Title: Roulette of the Cradle Year Released: 2015 Record Label: Intakt Records
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